November is the perfect time to rethink your art curriculum. While Thanksgiving-themed turkeys, pilgrim hats, and fall crafts have their place in seasonal classroom activities, this month also offers an important opportunity to help students learn about the histories, cultures, creativity, and living traditions of Indigenous peoples.
If you’re looking for November art projects that go beyond generic Thanksgiving crafts, consider incorporating Indigenous Peoples’ Month into your classroom with meaningful, age-appropriate art lessons that connect students to the cultures of specific Indigenous nations.
The goal isn’t simply to create artwork that looks interesting. It’s to help students understand how art connects to a community’s environment, history, materials, beliefs, and ways of life. With thoughtful lessons, students can develop their artistic skills while learning to appreciate the diversity of Indigenous cultures across North America. Whether you teach kindergarten, elementary art, middle school, or high school, there are engaging ways to bring these connections into your classroom!
Art provides a wonderful way for students to explore cultures beyond a textbook. Through drawing, weaving, painting, and other hands-on processes, students can investigate how people have used available materials, developed artistic traditions, and communicated ideas across generations.
However, Indigenous peoples are not just part of the past. Indigenous nations have distinct identities, histories, and contemporary artistic communities. Teaching about specific nations helps students move beyond stereotypes and recognize that there is no single, universal Indigenous culture.
The key is to teach the cultural context alongside the art technique. Instead of asking students to make a generic Native American-inspired craft, introduce them to a specific Indigenous nation, study documented examples of its artistic traditions, and help students understand what makes those traditions meaningful.
One of the best ways to create an engaging November art curriculum is to offer students a variety of hands-on experiences. The following projects can be adapted for different grade levels while connecting art-making with learning about specific Indigenous cultures.
Basketry is an excellent way to introduce students to the relationship between art, everyday life, and the natural environment.
Many Indigenous nations have distinctive basketry traditions shaped by local plant materials, weaving techniques, intended uses, and cultural knowledge. For example, students can research the basketry traditions of the Cherokee peoples of California, whose communities are known for highly developed and diverse basket-weaving practices.
Rather than treating every basket as interchangeable, invite students to investigate how a particular community used local materials and how different weaving methods created different patterns and structures.
For a meaningful lesson, discuss the difference between a classroom weaving exercise and the cultural traditions being studied. Encourage students to appreciate the knowledge, time, and skill involved in Indigenous basketry.
Best for: Elementary art, upper elementary, and middle school, with adaptations for younger and older students.
Weaving provides another wonderful opportunity to connect art techniques with cultural learning.
Indigenous weaving traditions vary significantly from nation to nation. Students might research Diné (Navajo) weaving, for example, learning about the history of Diné textiles, the importance of wool and weaving knowledge, and the ways contemporary Diné weavers continue and develop their artistic traditions.
Students can examine how color, line, repetition, and geometric patterns contribute to the appearance of a textile. They can also discuss how textiles may have practical, artistic, economic, and cultural significance.
When discussing Diné weaving, avoid suggesting that students are reproducing sacred or culturally restricted designs. Instead, help them learn from the tradition while creating original patterns based on their own artistic decisions.
Best for: Elementary through high school, with increasing complexity in research, technique, and design.
Prehistoric rock art can be an exciting entry point into the relationship between art, place, and human expression.
Across the world, people have created images on rock surfaces for thousands of years. In North America, Indigenous rock art traditions are diverse and connected to particular locations, communities, and histories.
For example, students can learn about documented Indigenous rock art sites in California and investigate what archaeologists and descendant communities have shared about their significance. It is important to distinguish between what researchers know, what remains uncertain, and what cultural knowledge may be held by Indigenous communities.
For younger students, focus on line, shape, texture, and the challenge of making marks on an uneven surface. Older students can explore how archaeologists interpret visual evidence and why it is important not to invent meanings for images without supporting evidence.
Make sure students understand that the term cave art does not describe every form of Indigenous rock art. Many examples occur on exposed rock faces, cliffs, and boulders rather than inside caves.
Best for: Kindergarten through elementary school, with deeper historical and interpretive research for older students.
Rock art offers another opportunity to explore the relationship between artistic expression and the landscape.
Students can investigate a specific region and its Indigenous history, examining documented petroglyphs, which are images carved or pecked into rock, and pictographs, which are images painted onto rock surfaces.
This distinction introduces useful art vocabulary while helping students understand that different processes create different visual effects.
Connect the project to research about a specific site or Indigenous community. Discuss how rock art can be connected to place, cultural knowledge, and long histories of human presence, while acknowledging that the meaning of particular images may not be fully understood or publicly shared.
Avoid presenting invented symbols as authentic Indigenous symbols. Students should create original imagery rather than copying designs whose meanings they have not researched or that may be culturally sensitive.
Best for: Elementary, middle school, and high school, especially when integrated with geography, archaeology, and social studies.
Totem poles provide an incredible opportunity for students to explore how art can communicate family history, identity, stories, and relationships to the natural world.
For this lesson, students can learn about the Haida people, whose homelands include Haida Gwaii and parts of the Pacific Northwest. Haida artists are renowned for sophisticated visual traditions that include carving, formline design, and representations of animals and other beings.
Rather than simply asking students to make a "Native American totem pole," introduce the project through the art and cultural traditions of the Haida specifically. Students can examine examples of Haida carving and learn about the visual characteristics of Northwest Coast Indigenous art.
One especially interesting concept for students to explore is formline design—the use of flowing, interconnected lines to organize shapes and figures. Students can investigate how artists use lines, shapes, symmetry, and visual emphasis to create complex compositions.
It's important to clarify that students are studying Haida art and creating their own artwork inspired by what they have learned—not creating an authentic Haida totem pole. Totem poles have specific cultural meanings and functions, and not every Indigenous nation traditionally creates them. Avoid assigning invented meanings to individual animals or suggesting that every figure on a pole has a universal symbolic meaning.
This distinction is actually a valuable part of the lesson: students learn that cultural artwork has context, history, and meaning that deserves to be understood rather than copied.
Best for: Elementary and Middle school, with simplified construction and vocabulary for younger students.
November is also an opportunity to build classroom community while celebrating what students have learned.
A collaborative classroom banner can serve as a reminder that your classroom is a community. The finished banner can become a classroom decoration that celebrates learning and the work students created together.
Best for: All grade levels, particularly as a collaborative classroom display or end-of-unit project.
Save Planning Time With Ready-to-Use November Art Lessons
Let's be honest: November is busy enough for teachers already! Between changing schedules, report cards, seasonal activities, and preparing for the end of the semester, planning a meaningful cross-curricular art lesson can take more time than you have.
That's why I create art lessons that combine engaging hands-on projects with purposeful learning.
My Indigenous Peoples’ Month art lesson options offer opportunities to explore basket weaving, loom weaving, cave art, and rock art while developing practical art skills and connecting projects to cultural and historical learning.
These lessons can help you move beyond a generic seasonal craft and bring more depth, creativity, and purpose to your November curriculum.
Whether you need an elementary weaving project, an art-and-history connection, or a more advanced project for older students, choose lessons that suit your students' ages, abilities, and curriculum goals.
Looking for one more way to make November special?
I also offer a free classroom decoration activity that students can craft for their teacher. It's a fun way to involve students in creating something together and add a personal touch to your classroom during a busy season.
Use it as a classroom community project, an early-finisher activity, or a special way to celebrate your students' creativity.
Download the free classroom decoration activity and explore the other November art resources to find projects that work for your classroom.